




Cigar-tin story #132. In the shop.
Cigar-tin #132 contains the story Finishing Game.
- - - - - - - - - - - - - - - -
Finishing Game
A fun game!
Go by a place where you used to work. In the morning. Stand out front, but at a bit of a distance. Watch people walk in. Try to imagine yourself going in with them. The long hallway, your old desk, your old cubicle. The faded blue smell of the place. Your old chair. How does it feel? Are you in your own body, or some former self? Is it comfortable? Or does it abrade your bones?
Who are the people in this place? In what sense do they remain? Are they ever real, or just memories? Can these memories be trusted?
Drive by a place where you used to live. Slowly, just gliding, foot off the gas. Take a long look. Does it seem the same? Do you notice anything now that you never noticed then? What do you remember about living there? Can you imagine the rooms? Who lives there now? What matters – the house or the people?
Is there smoke coming from the chimney? How do you feel about spontaneous human combustion? Is it inherently unfair? Could it ever be deserved?
Drive around your old neighbourhood. Try to take it in, the character of it. How much did you really see when you lived here? Does it look better or worse? Does looking at it and thinking about it make you feel thinner or lesser, like someone subtracted from? Or are you, in some sense, larger now?
Keep driving. Work your way to the outskirts of the city. Think of it as a boundary. Then think of the beyond. Think of places you could drive to. Are there friends you could go visit, in other cities? Is there someone you haven’t seen for a very long time? Why? Is this person less real to you now? Why?
What if you just kept driving? If you didn’t go home? Imagine you had no home to go to. Driving out of the city, into the countryside, along strings of fence, along fields. Turning off the highway. Parking at the edge of a forest. Locking your car with the keys inside. Or leaving it running, with all four doors open. Imagine squatting by the side of the road, watching the contents of your wallet burn. Stand up. Look at the forest. Look at the spaces between the trees. What is this thing, this forest? Is it alive? Does it have a character? Is it dark? Is it terrible?
What if you got lost in the forest? What would it mean, to be lost? What happens to you once you are lost? What if you don’t understand that you’re lost? What are you lost from? And from whom? What if no one cares?
What if you know that you’re lost but you don’t believe it? At what point does being lost lose its meaning? Does being lost make you any less real? Can walking into the forest make you any less real? Is that the final nature of the forest?
Imagine yourself walking into the forest. Imagine going deeper, into the very heart of it.
Now you’re finished.